Oh, Mary! is a wild, camp-fueled cabaret comedy starring Tituss Burgess as Mary Todd Lincoln like you’ve never seen her before. Written by Cole Escola, this absurdist, queer fever dream reimagines the First Lady’s final days with drag, debauchery, and jaw-dropping twists. A riotous 80-minute spectacle of historical satire and Broadway’s gayest chaos.

Love Life, the groundbreaking 1948 musical by Kurt Weill and Alan Jay Lerner, returns in a bold revival at New York City Center. Spanning 300 years, it follows an immortal family navigating love, work, and industrial progress. With standout performances and inventive staging, it’s a poignant, if uneven, exploration of changing values and timeless relationships.

A bold, irreverent WWII musical, Operation Mincemeat features five actors playing 80+ roles with madcap energy. Though inventive and darkly funny, it stumbles with verbose songs and an overlong ending. Jak Malone’s “Dear Bill” is the emotional standout in this quirky British comedy of deception, drag, and wartime absurdity.

This vibrant new Betty Boop musical dazzles with show-stopping costumes, big band jazz, and a whimsical story that jumps from cartoon to real world and back again. As Betty searches for her true identity, she finds love, fame, and purpose in a colorful, character-filled NYC. A heartwarming, high-energy spectacle that leaves you smiling—even if you can’t quite remember the lyrics.

“Joan Crawford Superstar” is a sharp, fast-paced 80-minute play that offers a fresh, funny take on the Hollywood icon’s life. With snappy dialogue, a clever dual-performance format, and nods for die-hard fans, it reveals a Joan you’ll genuinely root for. A must-see night at the theater!

In Shit. Meet. Fan., a star-studded cast led by Neil Patrick Harris and Jane Krakowski navigates a party game gone wrong. As secrets explode—infidelity, repressed identities, and emotional betrayals—this dark comedy turns into a biting social drama. Written by Robert O’Hara, it’s a wild, unsettling ride through modern relationships and digital truth.

Suffs is a bold musical by Shaina Taub chronicling the women’s suffrage movement with an all-female cast, clever staging, and standout songs like “Worth It” and “Keep Marching.” Though dense and overlong, it delivers emotional power, humor, and historical resonance in a powerful, if imperfect, retelling of the fight for the 19th Amendment.

Maybe Happy Ending is a futuristic musical set in Seoul, where two retired helper bots form a bittersweet bond. With stunning visuals and a touching premise, it explores love, memory, and obsolescence. Though emotionally tender and visually rich, its music and pacing falter, leaving a haunting yet underwhelming impression. A quiet, melancholic sci-fi love story.

Winner of 5 Tony Awards including Best Play, Stereophonic is a gripping look at a 1970s rock band unraveling as they record their second album. With a real soundproof studio on stage and music by Will Butler, it’s an immersive journey into genius, ego, and emotional collapse. Written by David Adjmi, this is live theater at its most raw and unforgettable.

Job is a tense Broadway chamber play starring Peter Friedman (Succession) and Sydney Lemmon (Fear the Walking Dead). Set in a therapist's office, it explores trauma, content moderation, and moral ambiguity. While its premise is gripping and Friedman shines, uneven direction and jarring design choices weaken its impact. A chilling but flawed production.

The Outsiders is a powerful Broadway musical adaptation of S.E. Hinton’s classic novel, blending gritty storytelling, stunning staging, and unforgettable songs. With standout performances, 12 Tony nominations (and 4 wins, including Best Musical), it delivers a raw, emotional journey through loyalty, loss, and brotherhood. A must-see triumph.